𝐎𝐏𝐈𝐍𝐈𝐎𝐍 – 𝐏𝐫𝐞𝐬𝐞𝐫𝐯𝐢𝐧𝐠 𝐎𝐮𝐫 𝐏𝐞𝐫𝐟𝐨𝐫𝐦𝐢𝐧𝐠 𝐀𝐫𝐭𝐬 𝐀𝐦𝐢𝐝 𝐂𝐡𝐚𝐧𝐠𝐢𝐧𝐠 𝐂𝐮𝐥𝐭𝐮𝐫𝐚𝐥 𝐓𝐢𝐝𝐞𝐬

In recent years, a quiet but unmistakable shift has been taking place within our cultural landscape. As young people increasingly turn to modern forms of entertainment and artistic expression, interest in traditional performing arts appears to be diminishing. The effects of this trend are now becoming visible through declining enrolments in institutions dedicated to safeguarding our intangible heritage. What once stood as vibrant representations of identity, history, and values are now often sidelined in favour of global and regional influences that seem more exciting and accessible to today’s youth.

At the heart of this concern is the growing dominance of modern performance styles heavily influenced by Western and neighbouring countries. These include pop music, contemporary dance, and visual trends that are widely circulated through social media and entertainment platforms. With rapid access to these influences, young people are understandably drawn to forms that resonate with their personal tastes, peer preferences, and modern lifestyles. This cultural consumption is not inherently problematic. After all, exposure to the world has its benefits. However, the concern arises when such exposure leads to a gradual disconnection from one’s own cultural roots.

Our traditional performing arts- mask dances, traditional dances, classical songs, and folk music- are not mere performances. They embody centuries of spiritual depth, historical narratives, and social cohesion. They are rooted in ceremonies, beliefs, and a way of life that has shaped generations. These art forms cannot simply be replaced or replicated by modern alternatives, however polished or popular they may seem. The decline in youth engagement with these traditions poses a deeper threat: the weakening of the cultural fabric that holds our society together.

The reasons behind this decline are complex. Modern lifestyles have become increasingly demanding, with academic, economic, and social pressures competing for the time and energy of young individuals. Traditional arts, which require discipline, practice, and commitment, are often seen as outdated or less viable as career choices. Moreover, in the absence of visible role models and structured incentives, there is little motivation for youth to dedicate themselves to such disciplines.

Another contributing factor is the way cultural education is integrated- often superficially- into the broader schooling system. In many cases, students are introduced to performing arts through brief programs or annual events, which do little to nurture lasting interest or skill. Cultural activities are frequently treated as optional or extracurricular, rather than essential components of personal and national identity.

There is also a perception issue. Traditional arts are at times seen as rigid, slow-paced, or disconnected from contemporary realities. This perception is further reinforced by the lack of modern platforms or spaces where these arts are celebrated meaningfully. When traditional performances are confined to ceremonial functions or formal occasions, they become spectacles rather than lived experiences. In contrast, global music and media are dynamic, youth-centric, and omnipresent. They engage directly with the emotions, aspirations, and creative energies of young people.

At the same time, it is important to understand why many young people gravitate toward modern dance styles and performances influenced by Western and neighbouring cultures. These forms are often seen as stylish, expressive, and socially rewarding. They offer instant visibility on digital platforms and align with what is currently celebrated as modern or progressive. However, what is being lost in the process is the quiet, irreplaceable depth of our own cultural expressions. Youth may not always realise that choosing trend over tradition comes at the cost of weakening the very identity that distinguishes us as a people.

This is not a call to reject modern influences, but rather a call to balance them with a renewed commitment to our roots. Our traditional performing arts are graceful, meaningful, and uniquely ours. If allowed to fade, they cannot be easily revived.

Therefore, this is not the time for passive observation. Concerned agencies, cultural institutions, and the government must act decisively. Policies need to be revisited, resources allocated, and awareness campaigns intensified. Schools and communities must work together to ensure that the younger generation does not grow up as strangers to their own heritage. Cultural preservation should not be treated as a ceremonial responsibility, but as a living, ongoing priority.

We still have the opportunity to protect and pass on what defines us. But the window is narrowing. Acting now is not just a cultural choice- it is a national imperative.